Tap

DArt0216-219In our Tap classes we teach students about tap dancing by using the sounds of tap shoes striking the floor as a form of percussion. We incorporate both style of tap dance in our classes: rhythm (jazz) tap and Broadway tap. Broadway tap focuses on dance; it is widely performed in musical theater. Rhythm tap focuses on musicality, and practitioners consider themselves to be a part of the Jazz tradition.

In a tap class, the shoes used have a metal “tap” on the heel and toe.  Rhythm is generated by tapping of the feet, it also uses sliding of the feet.

Common tap steps include the shuffle, shuffle ball change, double shuffle, leap shuffle, hop shuffle, flap, flap ball change, running flaps, flap heel, cramproll, buffalo, Maxi Ford, Maxi Ford with a pullback, pullbacks, wings, Cincinnati, the shim sham shimmy (also called the Lindy), Irish, Waltz Clog, the paddle roll, the paradiddle, stomp, brushes, scuffs, spanks, riffs, and single and double toe punches, hot steps, heel clicks, time steps, over-the-tops, military time step, New Yorkers, Shiggy Bops, drawbacks, and chugs. In advanced tap dancing, basic steps are often combined together to create new steps. Many steps also have single, double, and triple versions, including pullbacks, timesteps, and drawbacks. In tap, various types of turns can be done, including step heel turns, Maxi Ford turns, cramproll turns, and drag turns. Timesteps are widely used in tap and can vary in different areas. These consist of a rhythm that is changed to make new timesteps by adding or removing steps.

Tap dancing can also be done using an a cappella method, in which no musical accompaniment is provided and dancers creating their own “music” through the sounds of their taps.

In group tap dances, the steps are typically kept simple and easy to control. The group of dancers must work together to create the sound keeping their steps at the correct speed to match each other.